jc28 ARTEBISANTINAMUSEU. bl- hisoria UNICASTEL FEDERAL (diversos)
EM 11, 12 E 13 DE MAIO 2O12 HAVERA A EXPOSIÇÃO DE ARTE PLASTICA NO JARDIM BOTÁNICO DE SÃO PAULO CONSISTINDO DE PINTURAS DE ARTISTA DE RENOME NACIONAL E INTERNACIONAL EM AQUARELAS,OLEO, ACRILICO E GRAVURAS DIVERSAS - NESSA MESMA EXPOSIÇÃO ESTARÃO EXPOSTA REPRODUÇÕES EM TELA CANVAS POR EXCLUSIVO "SISTEMA OILGRAPHIC" DE OBRAS ORIGINAIS PINTADAS POR GRANDES MESTRES APARTIR DO SECULO XIV ATE O SECULO XVII.
sexta-feira, 1 de setembro de 2017
quinta-feira, 1 de janeiro de 2015
ARTE BISANTINA
Byzantine art is almost
entirely concerned with religious expression and, more
specifically, with the impersonal translation of carefully controlled church
theology into artistic terms. Byzantine forms were spread by trade and conquest
to Italy and Sicily, where they
persisted in modified form through the twelfth century, and became formative
influences on Italian Renaissance art. By means of the
expansion of the Eastern Orthodox church, Byzantine forms spread to eastern
European centers, particularly Russia. Influences from Byzantine architecture,
particularly in religious buildings, can be found in
diverse regions from Egypt and Arabia to Russia and Romania.
In Byzantine literature,
therefore, four different cultural elements are to be reckoned with: the Greek,
the Christian, the Roman, and the Oriental. Byzantine literature is often
classified in five groups: historians and annalists, encyclopedists (Patriarch
Photios, Michael Psellos, and Michael Choniates are regarded as the greatest
encyclopedists of Byzantium) and essayists, and writers of secular poetry (The
only genuine heroic epic of the Byzantines is the Digenis Acritas).
The remaining two groups
include the new literary species: ecclesiastical and theological literature,
and popular poetry. Of the approximately two to three thousand volumes of
Byzantine literature that survive, only three hundred and thirty consist of
secular poetry, history, science and pseudo-science.
While the most flourishing
period of the secular literature of Byzantium runs from the ninth to the
twelfth century, its religious literature (sermons, liturgical books and
poetry, theology, devotional treatises etc.) developed much earlier with
Romanos the Melodist being its most prominent representative.
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